Antiquity and America
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The United States of Antiquity
Introduction
1750–1812
1815–1860
1870–1900
Today
Foreword
Chesnutt, Longfellow, and the Classics
Imag(in)ing Rome
Connoisseurship in the Gilded Age: the Collections of John Pierpont Morgan
Antiquity in America’s Capital
“Classica Africana”: Black American Participation in Nineteenth-Century Classicism
Try to Remember: Commemorating and Forgetting the Past
Teaching Classical Myth Today
Antiquities Law Primer
Classical Names and Concepts Used in the Service of Slavery
Classical Paintings from James Bowdoin III’s Collection: Revered or Discarded
Drayton Hall, Labor, and Neoclassical Architecture
James Bowdoin III
George William Boyd
The Walker Sisters and Classicism in Nineteenth-Century New England
Edward Perry Warren
Art & Artifacts
Timeline
Collectors
About the exhibition
Perspectives
The United States of Antiquity
Introduction
1750–1812
1815–1860
1870–1900
Today
Foreword
Chesnutt, Longfellow, and the Classics
Imag(in)ing Rome
Connoisseurship in the Gilded Age: the Collections of John Pierpont Morgan
Antiquity in America’s Capital
“Classica Africana”: Black American Participation in Nineteenth-Century Classicism
Try to Remember: Commemorating and Forgetting the Past
Teaching Classical Myth Today
Antiquities Law Primer
Classical Names and Concepts Used in the Service of Slavery
Classical Paintings from James Bowdoin III’s Collection: Revered or Discarded
Drayton Hall, Labor, and Neoclassical Architecture
James Bowdoin III
George William Boyd
The Walker Sisters and Classicism in Nineteenth-Century New England
Edward Perry Warren
Art & Artifacts
Timeline
Collectors
About the exhibition
Perspectives
About
the exhibition
Search the Antiquity and America site
Artists, Collectors, and the Ancient Mediterranean
The United States
of Antiquity
Sean P. Burrus
Art & Artifacts
Collectors
Perspectives
Timeline
Virtual Models
The Walker Building
Ariadne
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March 21, 2022
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